Eleven templates for the videos, the Mike & Matty way: Lausanne everywhere, one Larken italic moment, honey for the accent. The footage stays the hero — graphics support the moment, they aren't the moment. Pick the accent with the swatches above; turn on Viewfinder for the optional camera-frame styling, and Rules to see the grid, font specs, and annotations overlaid for learning. These are the dark-room overlays — the cream ICC room is for full-screen titles and motion graphics, not on-footage text.
A single hairline inset ~46px from the edge with small corner ticks. It frames the shot as a plate — and does most of the work by itself.
Tiny Lausanne labels at 0.34em tracking. The confidence is in how little type there is, and how precisely it sits.
Timecodes, indices, a quiet REC dot in the accent. Functional marks that imply a system — never decoration.
Type is a single cream (or ink, light room). Color appears once — a Larken italic word in honey, emerald, or carnelian.
Full viewfinder frame, corner ticks, a kicker, and the title set bottom-left in negative space. Use on wide / two-shot footage with breathing room.
A tighter lower-third: a single emerald rule, name in Lausanne 600, role muted to ~66%. Bottom-left, in the dead space beside the subject.
A subtitle / pull-line set in Larken italic — the one warm gesture. A single word lifts to the accent. This is where the serif earns its keep.
Same logic, more text. Tighter inset frame, term in Lausanne, plain-English body in dimmed cream with one italic lift. Left third only — subject lives in right two-thirds.
One huge figure in Lausanne, one line of context. The unit lifts to the accent italic. Nothing competes with the number.
A line worth holding on. Lausanne with one Larken-italic accent, an uppercase attribution and a short hairline. Where it sits depends on the shot — cycle the cases to see it adapt.
A wide cinematic title that wraps around the subject instead of covering them. Two-word fragments at the far left and right edges, load-bearing word in Larken italic. Needs a wide shot — subject small and centred so the edges stay clear of his body.
A heading with an emerald gradient marker behind it, then a short list. The next-up item dims to ~38% so the viewer knows where they are. Lives in the left third.
The spoken line on an emerald highlight, with the lead-out dimmed. One block at a time, never two — the highlight tracks what's being said right now.
The quiet act-break. A Larken-italic honey number, an emerald hairline, a wide-tracked Lausanne label — dead-centre, soft grade only. For the beat between scenes.
Two words sharing a first letter — one across, one stacked — in Lausanne 800 on an even grid. Honey carries the corner credits, a single Larken-italic byline signs it. Letters land in the room's dark gutters, clear of the subjects. The series opener.